#this is kind of fucked up

[kurim-chis]

this post in a nutshell: the Vidyadhara cycle can get a bit fucked up. sometimes. a lot of times. all the time, if you really think about it.

Note: i also blame my philosophy teacher. he was an awesome teacher, but philosophy class always made me question my own existence…

i think Dan Heng is right in wanting absolutely nothing to do with Imbibitor Lunae’s past and very clearly states he is NOT Lunae. However despite Dan Heng’s wishes and many people empathizing with him, in my opinion, it boils down to this:

the mentality of being a Vidyadhara

A case of “shut the fuck up and don’t spout bullshit, you don’t know how it feels, experience it yourself and then you know how hard it actually is”

First Note: Vidyadhara are just built differently — physically, mentally, and psychologically

For the vidyadhara, it’s their natural life cycle to be reborn with a clean slate every 700 years, possessing no reproduction capability and being immortal as long as they underwent the reincarnation process. They see it as normal and a “matter of fact” thing, and xianzhou natives do too, but can other non-vidyadhara species truly understand this? It’s kind of like how other species see things differently and have different morals from humans.

It’s a bit of a mind-fuckery because a vidyadhara is always the same person, but they always will get a clean state, and yet depending on each incarnation they might turn out completely different.

So they’re the same, but they’re also not.

Second Note: don’t say any bullshit until you’re the one going through it, then you will realize how hard it is

Basically this. Perhaps some aren’t going into a breakdown when their vidyadhara friend just deletes them from their life (or well, the vidyadhara is deleted and born anew), and they try to accept it because they’re too old and are wise enough to accept their lot in life, but there are others who are just bamboozled by it, even though they must have thought they were prepared for it. exhibit 1) Jing Yuan

Even the vidyadhara are not excerpt from this.

There’s a vidyadhara mirage who says his vidyadhara lover just went into an egg. To the race, this is a normal cycle of life. She won’t remember him. She will be the same person born anew. She will be a different person too. She can’t be burdened with anything of her past incarnation. He knows she is not dead, but he stares at the rolling waves and feels as if she is because he cannot and as a vidyadhara he must not see her reincarnation as HER.

But his feelings won’t matter, do they? This mirage said he couldn’t wait for his turn to come, but this wouldn’t guarantee him another future with his lover because CLEAN STATE you know? After returning to his egg, being reborn anew, then all of this — his grief, his solitude, his love — won’t matter anymore because he will also stop caring about it as well. It won’t matter. They won’t matter. The only thing that matters is their new life, but at that point that is NOT going to be the life of their incarnation, is it?

This is such a contradiction, isn’t it? Perhaps in “another life” he had also thought this, had also grieved for someone else or been grieved in return, but those lifetimes don’t matter in the same way his current one won’t matter after he reaches 700 years old.

“So you’re gonna be reborn after another 157 years? That’s how your race keeps being immortal and wards off the mara disease? Just the way you were created by Permanence? Cool.”

“So you’re the SAME but also a DIFFERENT person every time you go into an egg? That’s kinda trippy, but OK.”

“What will happen after that? Will we still be friends when you wake up?”

and the next time your friend appears, they are a child and you are absolutely no one to them

(…)

(how is this immortality?)

(my friend/brother/sister/parent/mentor/student/comrade/lover has not forgotten, because this is not something as simple as forgetting, this is a clean state — in a way only the vidyadhara, transcendent and celestial, can achieve. a cruel severing of everything you had to do with them.)

(they are gone, and in their place is a child with a clean state)

(it’s as if they are dead and you’re left to deal with a legacy—)

So despite what Dan Heng says and the Vidyadhara culture, I can also see why Jing Yuan struggles and is pained by the sight of Dan Heng. And also why Xianzhou deems Dan Heng guilty.

I also can understand why Blade is so enraged at Dan Heng and refuses to back down or stop trying to kill him (Blade being insane put aside) due to his incarnation’s sins, because how UNFAIR would it for Imbibitor Lunae to get a clean state just like that? What, they’re same person? But they get to start over as a NEW person? All his sins like that, gone? What sort of bullshit is that?

Just. This whole vidyadhara reincarnation thing can get very, very fucked up, you know?

[egophiliac]

bring back zooterkins, the best 17th-century swear word

I don't normally do Just Characters Swearing, but. ...this kind of wrote itself and then wouldn't leave my head. it comes from both a piece of character-writing advice that has always stuck with me, and also my conviction that Leona is 1000% funnier as a character if his dialogue has to stay G-rated. let Kalim say fuck, but don't let Leona say bastard.

(I'm sorry)

[monsterqueers]

Hey if people are thinking of 'stockpiling HRT' and you are doing it with Testosterone, be aware that is a controlled substance and doing this WILL GET YOU A FELONY CHARGE IF YOU ARE CAUGHT (and it would be very easy for this to happen through the way those posts reccomend).

Its your decision if you want to risk imprisonment (and then definitely losing hrt access), but be aware of the serious consequences- especially if you are recommending this to people!

If you do this with E, you get a slap on the wrist. If you do this with T its a felony. A felony charge deeply effects everything you do. Its not just hard to DYI T, its MANY TIMES LEGALLY RISKIER AND HARDER.

[stump-not-found]

bro has not slept for a week .

[bigfatbreak]

they both got bonked for being silly.

[pastadoughie]

[astroturf-enthusiast]

The Ties that Bind, and the Light that Beckons

[fefairys]

getting real fed up with my peers treating teenagers like shit. how did you forget so fucking quickly what it's like to be them. shame on you.

[bacchuschucklefuck]

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

[t4tails]

have you guys seen the mod of r/samandmax losing his shit over ppl drawing gay fanart and deciding to ban all sam and max shipping from the subreddit

[comfymoth]

i’m mad this is my most liked post right now so look at my cat instead lol

[starspilli]

batkid fit doodles

[trickstersaint]

i want to introduce you all to a project that is very close to my heart... or lack of one. anyway. for anyone who has ever wanted to play a poem. i'd like you to meet aromanticism

(link opens itch.io - she'll run on html in your browser! please be nice to her!)

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.